Starring Sarah Paulson, Courtney B. Vance, Sterling K. Brown, Cuba Gooding Jr., David Schwimmer, John Travolta, Kenneth Choi, Nathan Lane.
Dubbed the ‘Trial of the Century’, the legal battle which sought to put O.J. Simpson behind bars for the murder of both his ex-wife and her friend was certainly not without intrigue. The details of the story, which unfolds over ten episodes, are frequently outlandish enough that they would not have worked as fiction; a hallmark of a great true-to-life tale.
The trial itself does not begin until the fourth episode, but this is not to say that there is any shortage of drama up to that. Episode 2 gives us an unmistakeable flavour of the absurdity that surrounds this story and its protagonist; those old enough to remember the events of the debacle that was the lead-up to the Simpson trial will doubtless enjoy the retelling. Those not of such an age may find themselves dumbfoundedly hammering their Google machines at this point in an attempt to confirm whether this is, in fact, a true story.
Once the trial begins, Simpson assumes a less central role, with a switch of focus to the lawyers on each side. There are acquisitions by the defence team and reshuffles on both sides. Controversy around the reliability of witnesses and the veracity of physical evidence spills over into the media, and the prosecution’s seemingly unassailable case is met with unseen challenges.
Replete with unlikely plot twists, this story also benefits from a diverse group of characters. The creators have made the interesting choice to keep focus in this regard quite fluid; no individual player is allowed to hog the limelight for too long. If anyone, the star of the show would probably be Marcia Clark (played masterfully by Sarah Paulson), the tomboyish and highly capable lead prosecutor. Her righteous anger at Simpson’s alleged crimes simmers beautifully, and the toll taken on her personally by the limelight of the trial is portrayed in sublime fashion. The other standout performance is that of Courtney B. Vance playing Johnnie Cochran, Simpson’s loquacious legal counsel. His soulful rhetoric is delivered powerfully, and Vance exudes both arrogance and genius in magnetic fashion. Both actors claimed an Emmy for their trouble.
Sterling K. Brown, also in receipt of an Emmy, gives an eye-catchingly controlled performance as Christopher Darden, an attorney for the prosecution. As a black man, he is directly exposed to the racial tensions that arose from the case; unlike Vance, however, he is not given the freedom to air his frustrations in bombastic prose at every turn. His soft speaking voice seems almost out of place in the courtroom, but acts as an effective counterpoint to the other main players.
The remainder of the acting performances hold their own as well, although this may only be true in John Travolta’s case due to an unintended comic relief factor. His lines are delivered in a clipped, overly deliberate manner, and his movements are somewhat robotic; it is his face, however, surgically reconstructed to the point that he is scarcely identifiable as human, that steals the show. Gooding’s performance has been the subject of critical ambivalence, but his technical skill in delivering the role cannot be denied. Simpson’s reactionary, tortured mental state is portrayed with range and flair.
Ultimately, what begins as a murder trial that looks as though it will culminate in an easy conviction becomes a fascinating legal drama, and a look into the implications of the deep racial divisions in American society. Simpson’s innocence or guilt becomes an irrelevant consideration for many in what, for them, boils down to a symbolic battle against the oppression of the African community by the legal system and its enforcers. This series ultimately asks where the greater good lay in the trial of O.J. Simpson, and is too skilfully even-handed to suggest an answer itself.
While this series does not have the scope to present detailed dissections of its characters, it has more than enough material to present ten sharp, engaging episodes. Suspense drips and careful consideration is frequently provoked. For anyone contemplating a Netflix binge without the risk of too long a commitment (I got through it in under 36 hours), this might be just the thing.